NorsePlay.

Some saga names just stand out, like Thora of the Embroidered Hand. While there's a twice-fold kidnapping of this girl in Egil's Saga and her marriage to her unstoppably amorous kidnapper-then-husband, Thora's name is never actually explained. Our NorsePlay on this could go one of three or two-fold, or three-fold ways which is in line with either a deed-name, or a descriptive name. [rune protection hand made by Frogs and Princes on Rebels Market.] If Thora performed embroidery at a remarkable level, making pieces of such exception that she earned a reputation for her handiwork, then it could go that way. Or second, maybe she'd received an outstanding jelling or exotic lace patterned  Mehndi-style (the latter technique of which is dated back to the Vedas, so maybe it or its style migrated over) hand tattoo that augmented her already notable beauty as a factor which set her aside from all the other girls, making her even more kidnapping worthy. [Cosme

While there are cosmological reasons that Skaði & Njörðr don't work out, NorsePlay asks what if instead of calling it off because there wasn't an agreeable place to live together that they had given say just a Monday a week to see each other? Not her mountain hall, nor his seaside home, but somewhere between where no wolves nor seabirds would upset them, just a space for them alone? She could bring venison, and he shark, they could cook over the hearthfire, and instead of worrying over the obligations of their divine purviews, they could just fully enjoy each other, admiring & appreciating the differences, realizing that between them they ruled even more together than apart, and finding that common ground on a ... well, common ground. And they could've added BBQs & kubb, or hnefatafl  on Sundays with Freyr & Freyja, just to try it out. It's all a rather big maybe, but given the social weights & measures of Viking-period Icelandic society &