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Showing posts with the label Völsunga Saga

the later Sigurðr cinema.

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While Fritz Lang's two-part, nearly 5-hour  Die Nibelungen will remain the first amazing silent film breakout Norse mythological screen achievement, there are actually a few later adaptations of The Saga of the Volsungs / The Song of the Nibelungs , some of which are fairly derivative of Lang's adaptation, and others that show more proto-Sword & Sorcery plotting. Here are three notable cinematic NorsePlays: Treasure Of The Petrified Forest , (aka The Stone Forest,  1965 CE) is more Wagner than Volsungs, setting up hero Sigmund & love interest Princess Siglinde as committed to protect the secret of the forest and its mound of treasure. Unfortunately a hostile Viking king figures out from a defecting jealous sister what that secret is and battle amongst the glitterbombed stucco trees ensues. There's definite fantasy roots here, and more build on the antagonist, but if you're looking for Norse Lore served Spaghetti Viking style , this delivers with some fun narra...

The Little Norse Prince anime.

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We just ran across this 1968 anime, The Little Norse Prince . Later re-released as The Great Adventure of Horus, Prince of the Sun , we read its Norse context is apparently window dressing for some Ainu themes, but there's a Völsunga Saga style sword that must be pulled , and later reforged. Any of you seen this? If so, is it NorsePlay enough? #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .

an art nouveau valkyrie.

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The Valkyrie Brunnhild (1898) by symbolist painter Gaston Bussière. [Color lithograph on wove paper.] #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .

the making of a dragon.

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During a blu-ray upgrade re-watch of Fritz Lang's 1924 cinematic adaptation of Die Nibelungen, one is even more impressed with the practical effect making up Fafnir, the dragon Siegfried defeats to gain nigh-invulnerability from bathing in a torrent of its blood. Grand lore aside, the puppeteering of Fafnir was way ahead of its time. #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .

the sword in the tree.

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Odin plunges the magic sword Gram into the tree Barnstokk and says: "He who draws this sword out of the trunk shall receive it from me as a gift, and he himself shall prove that he has never carried a better sword than this one." Sound familiar? And now we know where that came from. [ Sigmunds Schwert ( Sigmund's Sword , 1889) by Johannes Gehrts.] #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .