NorsePlay.

NorsePlay:  Creative explorations, variants, and additions to Norse Lore & Myth. The Lore's been a sandbox since hearthfires and skalds in the hall, and once Tolkien got ahold of it with the intention of making an open-source world, it's also been fair game in modern days. Our Lore's stories attract creativity because they are the ur-stories, our Gods are bad arses, the adversaries are felt as a real/metaphorical yet inevitable threat, and all that carries a useable weight that narratively, artistically, musically, and cinematically cannot be ignored. To acknowledge the historicity of this concept, Norse Language expert Jackson Crawford states that NorsePlay in terms of variation & fanon started pretty much from the get-go. As we desire & request more Norse-inspired narratives, so did the arch-Heathens & subsequent generations ask the fireside skalds for sequels & team-ups, and they delivered audience-satisfying new stories, very much like comics...

When Professor Mark Mirabello published  The Odin Brotherhood  (1992) surely many dismissed the idea of a surviving secret society of religious Norse practitioners as an attractive fantasy, or thought the dialog in the book only an Edda-like delivery system for a revival. Understandably any sort of unearthed esoteric knowledge revealed after hundreds of years using unconfirmable sources opens itself up to scrutiny & examination, especially by reconstructionists who've had to weed out and re-plant structures in their religion, and we leave it up for those better versed in the archaeology & attestations in Asatru Lore to do so. What can't be argued is that Mirabello serves up some interesting ideas & perspectives onto the Asatruar's table, which we will present & ourselves extrapolate on here from the 5th edition (we don't have the current 6th edition [but if the publisher wished to send us one, we'd be happy to examine & revise this survey in ...