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Showing posts with the label Edda

Icelandic ogress Grýla eats your babies.

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Icelandic ogress Grýla by Þrándur Þórarinsson (2009). She only eats bad children, which could be seen as providing a service, in its own grim way. [Þrándur Þórarinsson, Gryla , 2009.] "Grýla is a mythical giantess living in the mountains of Iceland. Most of the stories told about Gryla were to frighten bad children, and her name is mentioned in Snorri Sturluson's thirteenth century Edda. Grýla was not directly linked to Christmas until the 17th century. By that time she had become the mother of the Yule Lads. Terry Gunnell hypothesizes that the medieval custom of dressing as Grýla may be related to other visiting traditions such as Julebukk or the Yule Goat and that her name may mean 'threat' or 'threatening'. She has the ability to detect children who are misbehaving year-round. During Christmas time, she comes from the mountains to search nearby towns for her meal. She leaves her cave and hunts for the children. She devours children as her favori...

Robert Wilson's Edda.

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Scene 2A - "Meeting of the Gods: Ensemble" from Robert Wilson's Edda . This play premiered in Oslo, Norway and will run in Aarhus, Denmark in November. The stills from it run dreamlike to absurdist. While it's interesting to see someone besides Wagner take a staged run at Norse Mythology, Ladyofthe Labyrinth had some serious criticism for the Texan playwright/director's stylized interpretation in a recent Q&A. Have any of the rest of you seen this play? If so, would Snorri approve? [More photos/details here: http://www.robertwilson.com/edda/ ] #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay. ...

Byatt's Ragnarök: re-purposing mythology.

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After reading trendy Eggers' underwhelming recent essay on the D'Aulaires' childhood classic  Norse Gods & Giants  (which one already knows is  wondrous all-ages magic  without his stamp of uninsightful approval), running across celebrated A.S. Byatt doing her take on Norse lore was an offering Nine Worlds better. Known for one of the most refined epistolary novels, the Booker Prize winning  Possession  (1990), which will rip your heart out and make it pump tears of saddest sad sadness, one can only imagine the Wagnerian angst & pathos such a talent could lend to the verses of the Gods. Yet the tender  Possession  and the Icelandic skald Snorri Sturluson's mythopoeic collection are also worlds away from each other, and the gap shows at times. [Friedrich Wilhelm Heine's "Kampf der untergehenden Götter" (1882).] In  Ragnarok: The End of the Gods  (2011), Byatt brings her own modern insights into the built-in eschatology of...