the Ragnarök of 1905.
Emil Doepler's rendition of Odin and Fenrir, Freyr and Surt (1905) . Definitely a product of Germanic romanticism, the tableau has a doom-shadowed tone, with predominant reds & oranges appropriate of a fiery Ragnarök. Surt appears diminutive, as if Frey could've just ridden him down, and Fenrir appears to be able to shoot flames from his mouth, his baleful eye fixed on Odin. Note Sleipnir's curious absence. # # # Guillermo Maytorena IV knew there was something special in the Norse Lore when he picked up a copy of the d'Aulaires' Norse Gods and Giants at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the Map of Midgard project, and spearheaded the neologism/brand NorsePlay. If you have e mployment/ opportunities in investigative mythology, field research, or product development to offe...