NorsePlay.

  There's a lot of  great detail in this cosmological sketch print of  Die Neun Welten / The Nine Worlds  by E. Müller-Baden, c. 1900 CE. It almost looks like Yggdrasil's tertiary root is so far away from the main body of its subterranean structure that it's pretty slim pickings for Níðhöggr, who never actually does cause critical damage on The World Tree, so perhaps this offers a reason as to why. This diagram also solves the arboreal co-identification problem by specifically making Læradr the upper portion of Yggdrasil . There's also a more geographical separation between portions of  Niflheim depending if you're an oathbreaking victim unmercifully given to  Níðhöggr 's serpentine children (#2), or if you're a regular deceased (#9), which would probably spare Hel 's broader populace the gnashing of dragon teeth & wailing of the dishonourable. Though if any of you recall where the " Egisheim" Sea is cited from, do let me know. Below is ...

When you depict the cosmos, you map it, you are performing the ritual of sacred geography , taking abstract invisible concepts and stickpinning them into a fixed place where they're suddenly more concrete, in a real position , around the corner, or over that mountain range, or under that hill, and even if that place's time & space doesn't match nor measure nor visibly scale as ours does, you've given or found it a physical connection point attached to our own. It felt real enough to begin with, enough to record it in mythological lore and make a story of it, but in assigning it a location , it gets that much more real and perhaps accessible. After every rain, Bifröst is a two-way street , and there's a point where the land we walk meets the trunk of Yggdrasil and connects all the points of the Norse Cosmos to us. Mostly we see more general depictions of Yggdrasil , and the above world tree map diagram re-titles some of the otherworlds, possibly to be more lin...

A Lore-based cartographic achievement by archaeologist Arith Härger, this map adapts the Nine Worlds' locations in terms of continents, set up by directions and descriptions in the sources. We love the detail & dedication of this NorsePlay. [get a print here .] #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .