NorsePlay.

Much like God Of War needing to sidestep its previous Classical Mythology context to integrate Norse Mythology into the franchise, Assassin's Creed, with its even larger the Hidden Ones versus The Order struggle for possession of ancient technologically advanced artifacts made by the Isu, Assassin's Creed: Valhalla has to increase its roll call of beings named after Greek & Egyptian deities to now include the Norse Gods. Retroactively fitting the Aesir into the game's continuum is no mean feat, and the story  takes you into Asgard , Jotunheim , and  Svartálfheimr , but the conceit is that those otherworlds are only seen through Eivor's ability to cognate them through a vision quest, and not necessarily as they actually are. Any of that isn't really even partially addressed until you get near the end, and even then the happy/happier/happiest ending doesn't fully connect them to the ancient technoworld ... unless you find the extra super secret invisible a...

Sweet cover art from the 1992 computer/console RPG game Heimdall . Loki has stolen the Gods' weapons, scattering them across the realms, and it's up to you as Heimdall to find them. The game itself is far more cartoonish than this fantasy art cover, but such was all early videogame marketing. [Play it in your browser here: https://archive.org/details/msdos_Heimdall_1992 ] #    #    # Guillermo Maytorena IV knew there was something special in  the Norse Lore when he picked up a copy of the d'Aulaires'  Norse Gods and Giants  at age seven. Since t hen he's been fascinated by the truthful potency of Norse Mythology, passionately read & studied, embraced Ásatrú, launched the  Map of Midgard  project, and spearheaded the neologism/brand NorsePlay.   If you have e mployment/ opportunities in  investigative mythology,  field research, or product development to offer,  do contact him .